Category: Look Here

Southern Rock Resurgence: What is Old is New

Southern rock didn’t die when Skynyrd did; it just needed sometime to grieve and regroup.

The genre “southern rock” has kind of disappeared over the years and it’s time to be revived. Beards, long hair, whiskey, cigarettes, denim, American flags and Muscle Shoals are still intact so why is southern rock not? Lack of bands fitting the criteria for the genre? Did the evolution of music quietly push the southern rock genre out of the picture? Maybe it really did just fall to the way-side when the 80’s came along and after Van Zandt died? I’m not entirely sure as to why it went away but it’s time that it came back home; I’ve missed it.

Wikipedia defines Southern Rock as: “A subgenre of rock music and a genre of Americana. It was developed in the Southern United States from rocknroll, country music, and blues and is focused generally on electric guitar and vocals.”

I don’t know about you, but I personally know musicians whose bands fit this description EXACTLY. So what the hell wiki music gods? If that’s the checklist, then what are you waiting on!? It’s already hard enough for bands to find a place to fit in, not to mention find a radio station that will even play their tunes but yet these stations have no problem playing Statesboro Blues 9 times a day… How about throwing some new southern rock in the mix, hoss? Is it classic rock? No, not yet; however, listening to Tuesday’s Gone for the 300th time in a week doesn’t make the song any more classic than if you played it once….sorry back on topic now…

I think over the years that southern rock has unfairly gotten associated with the term “redneck” and confederate flags (which is an entirely separate discussion in itself) and that’s completely unfair. It would take a lot less time to just copy and paste the DBT lyrics from “The Southern Thing” to hammer this point home and frankly, Hood can get the point across better than I but he’s not here is he!? 😉 Now, the word southern already embraces “rednecks” and “country livin” so it’s not as if we don’t have our work cutout for us but if you look back at the origins of southern rock: blues and soul and gospel, these three styling’s are very important developing factors for this genre of rock music and are historically dominated by black musicians so throw the redneck BS out of this equation; it’s about the music not color of skin.

Ain’t about no hatred better raise a glass / It’s a little about some rebels but it ain’t about the past / Ain’t about no foolish pride, ain’t about no flag / Hate’s the only thing that my truck would want to drag…You think I’m dumb, maybe not too bright / You wonder how I sleep at night / Proud of the glory, stare down the shame / Duality of the southern thing.

There are a lot of good bands out here that can easily carry the torch for southern rock’s building comeback; I even think Duane Allman would approve. Many of these musicians/bands just happen to be from the south and play rocknroll; put two and two together genius, what else would you call their style of music? Check out the associated playlists for some great bands who are sticking to their guns. It’s a little bit country, it’s a little bit rocknroll and a lot of bit great music. It’s Southern Rock and it’s time for a resurgence.


  • Dirt Track – Lee Bains III & The Glory Fires (AL)
  • Devil’s in the Details – Glossary (TN)
  • Never Gonna Change – Jason Isbell/Drive By Truckers (AL/GA)
  • 1000 Dollar Car – Ned Van Go (TN)
  • Benjamin – Arliss Nancy (CO)
  • If My Heart Don’t Fail Me – Efren (GA)
  • I Can’t Stand This – Kentucky Knife Fight (KY)
  • The Grant – Lauderdale (AL)
  • Choke – The Black Cadillacs (TN)
  • Look at Me – Those Crosstown Rivals (KY)
  • Campaign Song ’93 – Jon Snodgrass (MO/CO)
  • Super 8 – Jason Isbell (AL)
  • Do The Crawl – Dexateens (AL)
  • 8 AM Blues – Natural Child (TN)
  • Coming Through the Pines – Blackfoot Gypsies (TN)
  • Tim Tim – Bohannons (TN)
  • Don’t Owe You a Thang – Gary Clark Jr (TX)
  • Clark Ave – American Aquarium (NC)
  • Rebel Man – The Pollies (AL)
  • Rock and Roll Forever – The Whigs (GA)
  • Chippewa – Benjamin Booker (LA)
  • Tears Don’t Matter Much – Lucero (TN)
  • Radar Gun – The Bottle Rockets (MO)
  • Fourth of July – Porter and The Pollies (TX/AL)
  • Alphabet City – Todd May (OH)
  • Zip City – Drive By Truckers (AL)
  • When I’m Gone – The White Buffalo (LA)
  • Missouri Boy – The Hooten Hallers (MO)
  • The Prettiest Waitress in Memphis – Cory Branan (MS/TN)
  • The Southern Thing – Drive By Truckers (AL/GA)
  • Heartbroken, in Disrepair – Dan Auerbach (OH)

Click here to listen on Spotify.

So, looking forward, out of all 30 tracks ONLY 3 bands/artists listed above are beyond the Mason-Dixon Line. Furthermore, Todd May is always playing in the south with Lydia Loveless, Dan Auerbach has lived in Nashville for a while now (too long if you as Jack White), and Arliss Nancy may as well be from the south, just ask them. They love boiled peanuts, whiskey, the Allman Brothers, and “pulling buckets,” so they get a special pass and I’ve adopted them as Alabama residents; deal with it.


It Came From MTV[‘s Video Channels]: VH1

A long while ago in god’s age of 2013, I did a brief review of MTV channels I watched. It was sort of enlightening to see what videos the premium video channels would play but it didn’t really answer what exactly MTV et al. were selling. (I was also really fucking wrong about HAIM. So wrong.) Obviously the main MTV channel couldn’t give a shit about music videos, which you already know. (They do run music videos in the very early morning, in case you needed to see Iggy Azalea’s “Fancy” on a television channel at 5am.) That said, the channel they famously founded in the late 80s for the purpose of airing music videos while MTV expanded their content still runs videos at more reasonable times in the morning. This is the examination of VH1 + Music. (Oh god that music block name.)

Bleachers — “I Wanna Get Better”

I watched VH1 for about an hour plus and this video played three times. Someone must be putting some dough in VH1’s coffers. (It’s RCA.) Unfortunately, the most I learned about Bleachers, the less I felt the happy response I do have to this song. Pop songs about the struggle with depression should be a new norm. Pop songs are about idealized delusion anyway, so at least have an anthem for the post-Robin Williams set. The video directed by Lena Dunham doesn’t really present this all that well.

Nico & Vinz — “Am I Wrong”

so beaches
very sunlight
much african desert imagery

band was founded in norway


Stopwatch: Neon Trees – “Sleeping With A Friend”

To explain, Stopwatch is a regular segment VH1 does where a band performs 60 seconds of one of their songs. Now to Neon Trees, I fucking hated “Animal.” This is better. Maybe I won’t get told by the lead singer to go back to bed.


OneRepublic – “Love Runs Out”

Here’s the thing, OneRepublic is awful. But for some reason, their new songs at least figure out that a back beat is more fun than maudlin bullshit. This is still not good as the lead dude oversings like hell and ruins a good thing, basically. The video is nice green screen, I guess.


Charli XCX – “Boom Clap”

I have a massive crush on Charli XCX. This song is no good. So I could talk about Charli’s lovely hair, which is crazy good. Unf.


Pharrell feat. Miley Cyrus — “Come Get It Bae”

You remember how you watched the video for John Legend’s “You and I” and started weeping because it was a well done portrayal genuinely inclusive of all types of women? Well, this is if that video was just traditionally attractive women (and Miley Cyrus) were dancing for Pharrell. It’s like peppy dancing version of Exterminating Angels. Kind of gross. Oh, the song’s not terrible. Finally someone is figuring out limited Miley is generally pretty great.


American Authors — “Believer”

The indie pop movement in mainstream pop is so fucking tiring and actually makes me actively hate the artists that led us down this path. Every song is four shitty white guys with a song obsessed about a hook and nothing else. Which I guess is just integration with some of the more poppy of the independent set. This isn’t THAT much different than Dale Earnhardt Jr. Jr. but was Dale Earnhardt Jr. Jr. actually good? I’m starting to doubt that. Oh, the video? Looks like if Bridge to Terabithia was a piece of cowdung.


Meghan Trainor — “All About That Bass”

Look, this song is great and it’s cute as hell. It’s fantastic that we’re actually talking about weight in pop music and that Meghan Trainor could be a legitimate star. I also like that the song admits that skinny women have as much of a problem with body dysmorphia as others do. But here’s my question. What is the difference in bass and treble? Is it the rumble? The movement? What is bad about the treble? Most people hear the treble and like the treble. Still a good song, though.


Clean Bandit feat. Jess Glynne — “Rather Be”

I kind of hate appropriation of other cultures in music videos. It usually ends in an alarming fashion that doesn’t really help the party being appropriated. In this case, it is a British electronica group appropriating Japanese culture. And yet? This isn’t bad. The use of the Japanese here is in the context of a modern society. This reads a bit like Avicii’s “Wake Me Up” video in the basic theme of normal life being wrecked by dreams of a super house concert extravaganza. But unlike the “Wake Me Up” video, it doesn’t use conventionally attractive white people as “the ones suffering from normal life.” Song’s a little stronger, too.


Kongos – “Come With Me Now”

I heard this song through the most surprising of places: as the “theme song” to the WWE Extreme Rules pay-per-view event. You see, WWE takes a random song that seems like it would be popular and that I guess “fits” with the fictionalized violence the best. Sometimes they are way off, like when they choose any Kid Rock song past 2005. But apparently they were right on the money here as far as a song that became a hit on the pop charts and that they probably got at a good price at the time. Oh, you wanted to know about the song/video? It’s alright, I guess.


(Stopwatch: Chvrches — “The Mother We Share”)

Not quite as well polished as the video version I got super obsessed with for a short time last time we talked about videos.


Ed Sheeran – “Don’t”

Please explain Ed Sheeran. Is his appeal that he talks about shitty subjects with ridiculous singer-songwriter earnestness? Did we need another Jason Mraz when the current one’s trying to stay relevant? Either way, this song is a massive departure. For one thing, it sounds like a pop song circa 2002 and not an easy listening song circa 1991. And then Ed is sort of rap-singing? Ah fuck everything.


John Legend – “You & I”

This video makes me cry so much that I’m going to ignore the incorrect grammar in John’s song title. Also, he had this exchange about Ferguson, Missouri. You are all forgiven for “All of Me.” Because holy shit. Also LAVERNE FUCKING COX. And when everyone smiles, I lose it. You’re a good dude, John Legend. Stay in all of the lanes. We need you in pop music.


Kiesza — “Hideaway”

80s ballad with electronic trappings and an attractive redhead in suggestive suspenders. I mean, it’s pop music in 2014. So whatever. And this is her album cover. Apparently the label is just a New York independent. Not bad. I get the appeal.


Magic! — “Rude”

lol. nope. Never needed a Max Landis expy to suddenly go all Bob Marley with a rebel boyfriend song.


Colbie Caillat – “Try”

So the new trend is to do that John Legend video over and over again with diminishing returns. John Legend’s video is effective in that in as the video goes on, the images of womanhood fit incredibly with the message. And to Colbie’s credit, her song is simply about liking yourself as opposed to a nebulous narrator having to like you. But it’s Colbie Caillat so it doesn’t work the way it should. Colbie shows women taking off their makeup/extensions/et al. and the obvious realization is that these women are all still beautiful. This is strong. But I also kind of think it doesn’t hit home the message if we’re seeing an obviously attractive Colbie Caillat taking off her makeup to reveal a normal looking (but still conventionally attractive) lady. I mean, it’s a good effort and if the “dude singing about women” vibes throw you off of John Legend’s work, then this might be your speed.


Childish Gambino — “3005”

I like this song a good bit. I wish Donald Glover would not be obsessed with the rap career path and most of his songs feel like he is trying far too hard to shed his comedic image. But “3005” is an interesting effort. I will say that it is curious that a video that essentially ends with Donald Glover’s character’s (assumed) suicide to air so soon after the raw nerve of Robin Williams’ passing and I don’t really know if Donald Glover looking dead eyed is a thing we needed. But, you know, that’s the world, man.

Birmingham gets ALL THE SHOWS!

You think you know, but you have no idea.

Welcome to a comprehensive list of all the headliners & festivals headed to our fair city in the coming months.

I’m just gonna throw a list at you because I know you just gonna scroll anyway. Hard to be mad with this level of abundance going on. LEHGO.


Jimmy Eat World, celebrating 10 years of their Futures album at WorkPlay on Oct 26
Jimmy Eat World, celebrating 10 years of their Futures album at WorkPlay on Oct 26


  • Juvenile (this Sat, 7/12)
  • Curren$y (7/30)
  • HELMET (8/6)
  • Manchester Orchestra (8/7)
  • Toadies (8/13)
  • Broken Bells (10/2)
  • AFI (10/9)
  • Chromeo (10/14)
  • Brand New (Sold out, 10/21)
  • Julian Casablancas (10/28)


  • Delta Spirit (9/16)
  • Jimmy Eat World (10/27)

Cask & Drum, October 11 (tix here)

  • Lucero
  • Drive-By Truckers
  • Lee Bains III & the Glory Fires
  • Wild Cub
  • Drew Holcomb
  • Houndmouth

Secret Stages (August 1 & 2): Follow through to their site for the full lineup, in the interest of not leaving any of the astounding number of acts out who hail from all over Alabama & the South. Great problem to have, if you ask us! Our picks though? John Paul Keith, Green Seed, Pujol & Looksy.


  • King Buzzo of the Melvins (7/23)
  • HIGH FIVE FEST III (8/9) —–> Banditos, Shaheed & DJ Supreme, Wray, Arclight, In Snow, beitthemeans and Secret Midnight Band
  • Clap Your Hands Say Yeah (8/14)
  • Comedian Jon Hodgman (9/7)
  • Pinback (9/8)
  • Real Estate (9/21)
  • J. Mascis (9/30)
  • POLIÇA (10/7)
  • Twin Shadow (10/18)



We are nearly half way through the year 2014 and it’s time to share my favorite albums of the year thus far. We’ve seen some pretty big releases this year and I have few I think you, my dear reader, should be spending some time with. I could mention a few more that I like but these are the five albums I’ve been spinning non-stop since they came out.

Enough with the so and so, here’s my favorite albums of the year so far.


salad days

In 2012, Mac Demarco burst onto the indie music scene with his brand of sleazy guitar pop music. He release two albums that year and played a very long tour that bled into the year 2013. On his latest release Salad Days, Mac didn’t stray too far from his core sound although he did add some shimmering synthesizers for an extra layer of texture. This album is easily my favorite of the year so far. There was a lot of anticipation leading up to this one and Mac delivered. I was able to see him and his band of fantastic musicians perform at The Goat Farm in Atlanta earlier this year, if you have a chance to catch Mac Demarco please do it. Not only is he a great songwriter and musician, he and the boys will blow your socks right off playing live rock and roll music.



In the modern era of music when bands go, what some people might consider, “too long” with out a release, the listener or general fan will grow impatient and sometimes seem to lose interest. It’s almost an unspoken rule that you have put out some sort of music (whether it be a new single, remix, b-side, or other) during the years between albums or people start asking “What happened to (insert band name)?” Real Estate released Atlas three years after there hit 2011 release Days, and for this fan, that was a perfect amount of time between recordings. The guys utilized Wilco Loft studio in Chicago to work on this record which may be their best album to date. Atlas picks up where Days left off but this record finds lead writer Martin Courtney tackling more current affairs rather then discussing the topic of nostalgia and old times. Real Estate is establishing themselves as one of the most important bands in modern music and this record is a perfect example of their staying power. Real Estate makes music good for any time of year. I heard Katy Goodman (La Sera, and formerly Vivan Girls) say recently, “It would be a wonderful music to listen to on almost any occasion…being at home, eating breakfast, or going to bed or driving in your car. Pretty much any situation will be better with this music playing”. So. True. (GOOD NEWS FOR BHAM RESIDENTS: Real Estate will be playing at Bottletree Cafe on 9/21! Get a ticket and vibe with me!)


lost in the dream

Americana is one of my least favorite genres of music. I’ve seen other writers and critics label The War on Drugs as a “modern Americana” band but I disagree wholeheartedly. Although their music has some dreamy elements and perhaps a more folksy approach, TWOD is a rock and roll band. Their latest album Lost in The Dream will be on several “end of year” lists this year and for good reason. This is just a great album all the way around. It’s a refreshing dip into the pool of new rock music. The production and instrumentation is near flawless and the lyrics are intentional and beautiful. “I’m a bit run down here at the moment,” from the song Eyes to the Wind, is one of my favorite lines from any song that I’ve heard this year. I’m just fully in love with this album. TWOD should absolutely be in the discussion with larger indie rock bands like The Arcade Fire and Wilco and after this release, I believe they will be.


everyday robots

Damon Albarn has had quite a journey as a musician and producer. You may know him from his work with Blur, Gorilllaz, and the under-appreciated The Good, The Bad, & The Queen. This year Damon released his very first solo album Everyday Robots. He’s currently playing the major festival circuit with his band “The Heavy Seas”. Lyrically the album might come across as the complaining of an older person who just doesn’t get modern life, but Damon’s calling us all out about our obsession with technology and our need to constantly stay connected. I had a conversation with a friend of mine about the theme of this album and we both came to the conclusion that Damon is calling us on our shit and he’s totally right to do it. He also approaches some more tender subject matter on his own struggle with addiction and fame. Musically, the album is structured almost like a folk record but uses various instruments like synthesizers, samples, and vocal modulation to give the whole thing more layers. The thing that got me so hooked on Everyday Robots is the time signatures and percussion. Reminds me a lot of The Good, The Bad, & The Queen in the best of ways. This record is a must have for the year.


palo alto

“Palo Alto” is the indie film version of a collection of short stories written by actor James Franco. The stories are loosely based around James’ own life growing up in suburban Southern California. The film is the directorial debut of Gia Coppola. If you recognize the last name it’s because she’s Sofia’s niece and Francis Ford’s granddaughter. The film itself is largely scored by Devonte Hynes (Blood Orange) but there are also some additional tracks by Gia’s cousin and Rooney frontman Robert Schwartzman. Gia’s other cousin Jason Schwartzman (Coconut Records and Max from Rushmore) also contributes a track. Although I’ve never actually seen this movie (shoutout to Birmingham’s lack of indie movie houses), I can really get an idea for the flow of the movie with this soundtrack and  the songs chosen feel like they are a perfect fit for the movie. The songs are angsty and modern but emotional. Even your boy Mac Demarco contributed his homage to smoking cigarettes, his song “Viceroy”, to the album, which is a song all angsty teenagers should relate to. Also, Devonte Hynes is probably the future genius songwriter/producer we need in the world of music right now so you should really pay attention.


Seagulls – “The Royal We” Album Review


Gravelly vocals, screaming choruses, loud fuzzy guitars, loads of energy and of course, melodies, all these things are what make punk rock great; Seagulls, out of Atlanta, can check yes to all those requirements with their latest EP: ‘The Royal We’ released thru Autumn + Color.

The Royal We’ consisting of 5 tracks, packs a punch right out of

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the gate and never looks back. It does what you expect a punk record to do; it comes at you hard and fast, track after track, leaving you in a cloud of chaos while searching for repeat so you can listen again. Their lead vocalist, Steve-Dave Johnson, almost has a “roar” to his voice when he sings the lyrics to their songs. Either Johnson is a damn good actor or he’s just plain real because his voice, these tracks, ooze passion,

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desire, and candor on a level that will make you respect the band regardless of if you’re fan of their style of music or not.

I was fortunate enough to catch a live show a few months back; take the energy and passion you hear on the album, mix in some whiskey and sweat, turn the volume knob to 11 and back up! The in-your-face delivery, the screaming, infectious, melodic lyrics accompanied with the pounding drums, lead bass and dual-guitar attack, will make even the dullest of people start tapping their feet; you just can’t help it! Oh, word of advice, be prepared for Billy Duncan to come at you like a FN tornado armed with a guitar during any song; hold your beers high. Go Grab this EP (it’s got a song called “Darryl Strawberry Fields Forever” for god’s sake), find a show, and go check these “Jabroni’s” out; you’ll be happy you did!

Track listing:


  1. The Implication
  2. Darryl Strawberry Fields Forever
  3. Close One
  4. F.F.M
  5. Santa’s Little Helper


(Similar to: Red City Radio and Nothington with hints of Off with Their Heads and I am the Avalanche)

No News Is Good News: Is Our City For Sale?

pepsibgAhhhhh! Cold! Refreshing! Corporate!

Yes, who doesn’t enjoy a cold, fizzy soda pop on a hot summer day? From the Jack and Cokes we guzzle at The Nick to the cold Mountain Dews we down in Railroad Park, there’s no doubt our city – like almost every developed city/country in the world – is hopelessly addicted to sweet, sticky sodas. Hell, if health and surviving past the ripe old age of 50 weren’t concerns, I would mainline mounds of sugar via soda on a daily basis. And I’m considered a reserved soda drinker.

So, when the mammoth Pepsi sign atop the Two North Twenty building was quickly announced, installed and settled (according to local government entities, anyway) what right did we, Birmingham area residents, have to get mad? Sure, The Birmingham dot al dot News dot com newspaper website thingy reported eight months earlier that the Birmingham Design Review Committee had flat-out refused the idea more than once. Heck, they even called it a “glorified billboard.” Sick burn, dude!

Yet, like mammoth companies with tons of money and microns of community respect, concern or class commonly do, Pepsi worked and wiggled until their precious (and precocious) sign was “unstoppable.” Our slowly resurging downtown got a shiny new blue rectangle of cockamamie corporate propaganda. SUGAR GODS BE PRAISED! DEATH TO ALL PANCREAS!

I say, good work, city council and mayor! There’s now little doubt that various Birmingham structures are for sell if any impolite but persistent company shows up with enough scratch to keep our local politicians happy. As a concerned citizen (and a proud graduate of Birmingham City Schools), I wanted to do my part and throw out a few more genius advertising ideas.


How about slapping some Depends Undergarments on Vulcan? Imagine the revenue streams (ha…streams!) this could generate. With the aging Baby Boomer population, we need to throw this idea on the anvil and strike while the iron is hot. Let’s be honest, Vulcan’s high, round, firm buttocks have long been an embarrassment. This genius idea could actually kill two birds with one stone. It would protect Birmingham’s puritanical reputation and generate clouds of copious cash for local politicians. BUTTCHEEK BOOYAHH!

Next, let’s paint the exterior of the half-empty Cooper-Green Hospital bright blue and make it a museum. The Blue Cross/Blue Shield Museum presents – The Denied Coverage Hall of Fame! See patients suffer! Watch children weep! Track the history of financially decimated families! Yeah, pretty dark, I know. To boost attendance, they’d have to appeal to typical Alabama voters by adding on a special wing – The Horrors of Obamacare! See the death panels in action! Watch as your money is flushed down a toilet! See poor people who might have a different skin color than you receive medical care! OH NO, THE HUMANITY! They could offer a guarantee with admission: “We guarantee local visitors won’t sleep for a week!”

The possibilities are endless. Heck, these are just two ideas I thought up one Saturday morning with a hangover. Imagine the damage a motivated PR firm with pockets full of payoff cash could do to downtown Birmingham. Sell BET the Civil Rights Museum. Attach Larry the Cable Guy billboards to every downtown church. Tear down the Alabama Theater and build another Wal-Mart. Vivid Video presents: Lynn Park. Think of all that sweet revenue potential.

Seriously though, we have all got to wonder how much of Birmingham is for sale? After local leaders smiled and shook hands as these international money makers moved in with impunity, maybe we should all be a bit skeptical. What do local officials define as sacred? What would they turn down? There’s little doubt that downtown and the surrounding neighborhoods are on the verge of dynamite growth. Untouched and pretty much forgotten for many decades, the area now has the potential to become a unique, funky, fun and affordable area. Yet, only if the powers that be make decisions with their heads AND their hearts. For me and many others, Pepsi’s blue monstrosity appears to be the first troubling sign.



ASG – ‘Blood Drive’

Melodic, punchy rock that avoids all the embarrassing cliches. Having first caught ASG in all their glory opening up for Weedeater at the Bottletree, I didn’t immediately trust them. In the metal world, anyone singing at the top of their ability over catchy riffs is disturbing and suspicious. (Cut to me sipping a PBR: “What are these guys trying to do … become the next Nickelback?) Now, after having seen them live three times and following their last few releases, I get the feeling these guys are sincere. If they were looking for the cash grab, would they still be playing places like Zydeco?

Anyway, iTunes says “Avalanche” is my favorite track from this album, but I think “Day’s Work” is the jewel. Give it a listen:

EDITOR’S NOTE: Phil has been a huge part of our site since 2008. His unique perspective on all things Birmingham make him the perfect sounding board for a regular BHAMFM feature. Like what you’ve read? Send us a shout on Twitter (@bhamfmdotcom) and check back in a few days for more from Phil.



Hello everyone. Are you sneezing your brains out because of the horrific amount of pollen in the air? Sweet! Us too! Get through the “hay fever blues” with some tight songs from your friends at your favorite music blog. This month we’ve got all kinds of good stuff for you to listen to. It’s time for another brand new BHAMFM Mixtape.

Check out the songs below and make sure to hit “follow”.